‘The Whale’ – Review

Brendan Fraser delivers a deeply emotional and moving performance that doesn’t hold back from the brutality of a man suffering.

From the very start of Darren Aronofsky’s ‘The Whale’ we are exposed to a vivid and graphic view of ‘Charlie’ who is a morbidly obese English teacher on the verge of losing his life. Fraser carries a certain charm he has always been known for while also going to new territory for his wide ranging convincing acting ability – very early on we see him wink as he would in an action adventure yarn from the late 90’s but then much later in the film we see him desperate to know that his life has been worthwhile. This existential sense is just one of the many elements and themes of a layered story that touches on loss, love, health, money, religion, purpose and even classic literature.

With a small but brilliant cast, the players all pull together and orbit the main character in their own ways to bring a story that will stay with me for some time. This film could easily become an on-stage adaptation and of course it is more than obvious to see why the award nominations came pouring in. For Brendan Fraser, hopefully this is a redemption story although even without the awards it is a decorated return. At times ‘The Whale’ wasn’t easy viewing which is credit to those in this gripping performance.

I need to know that I have done one right thing with my life!

5 Stars

Weekly Ramble #37

Things never turn out how you expect them to. I guess the perception of one person can be clouded by the situation they find themselves in. Kind of like the sound of your voice, it seems different on film or recordings compared to hearing it out loud, either way its cringe. 

Writers lay in wait to find out if their stuff is well received, sometimes they never truly know but a live performer gets feedback almost instantly. An audience will react immediately with an applause or just a gasp or even worse silence which can be deafening. Some of the best gags may even go ‘unlaughed’ straight away but have a way of burning into one’s mind even days later. We’ve all laughed at something out of the moment.

The true power of performance or art in general is how it makes an audience member feel long afterwards. It’s a special feeling to reminisce about a show or story you were a part of some time ago. To be remembered is probably the highest of accolades for anyone in the arts. Then again they only saw or read that story on their side of the fence, I guess it all leads back to perception. Others will even argue that having their work move someone in any kind of way is the greatest of rewards.

 

5 Years in IHDC : My story

5 Years in IHDC : My story

On the 21st of July 2010 I began my on stage journey. Back then I only had thoughts of seeing myself in lights. But after watching that year’s Iver Heath Drama Club production Bugsy Malone I envisioned myself being able to stand alongside some of those performers .

Back then I was different and so was the world. David Cameron and Nick Clegg had recently gone into Downing Street and everybody had blackberries.

There I stood in a village hall about to join a diverse group whom have now changed dramatically over the last half decade. Mostly for the better but there are still some faces who have gone in which I believe still have a place on stage and they will be missed.

From a largely youthful group (it still is in many ways) I instantly realized these younger people all had their own little groups within. Some even rivaled to each other. There was a somewhat negative vibe surrounding certain groups and a lack of long term cohesion. But this is something which has definitely changed for the better over my time there.

“People either see what you’re doing and follow or walk away.”

Today at Iver Heath Drama Club I firmly believe the group is the closest and most hard working ever seen down there, by me at least. Not to take anything away or tread on any toes of the past but I call it as I see it.

Back to year one, three weeks passed and it was audition time for the next show. That being Snow White. Being someone who always bites more than I chew. I went for a main part. On that day, I turned 21 and had also been given my first ever main role. I was cast as the man in the mirror!

 

1

silver tights from my first ever role, take it in ladies

“There have been good successful shows and some bad, that’s the art of performance.”

In my first few years in IHDC a miniature revolution took place. A small influx of adult performers paired with our hardworking attitude shifted the gears in terms of standards. Shows got better, the performances got better, the production value increased and audience members spiked. They still improve today and without any arrogance, one thing I would like to say I contributed to is the hard working attitude that this crowd now have. It’s their core value.

“To make it in IHDC you need to have the right team working attributes and attitude for hard work. Fitting in and talent are two things that aren’t a necessity but they help. Overall if you are seen to be putting in a shift, the top parts will come your way. Trust me, I’ve been there.”  

Yes I have had high points, playing hamlet is one of my personal favorites and requires no introduction. Bringing our first ever Shakespeare production to life was challenging, the dialogue is something that present day people are not used to and gave everyone involved a bigger scope. Plus who doesn’t love wearing a shirt like meatloaf.

4

Playing Hamlet alongside Richard Gittens as Horatio was one of my finest moments

But being granted the role of Robin Hood in an IHDC pantomine will always be my favorite achievement to date. The various promotional appearances and newspaper articles I made will always be a great memory for me. But it was hard work, being a name that people know carries an expectation, one that I hope did Robin Hood justice. That production in particular convinced me that things have changed for the better in IHDC, there’s a certain work ethic about the place now.

Even though I am kind of tired from Robin Hood I am still more than ready to take on another challenge.

Thank you to everyone who has had some level of involvement to IHDC over the years. It’s been a ride and one that will continue for me.

Next year my writing will come to life on stage when I bring my one act murder mystery farce Hotel Doom to IHDC. Performing with this diverse wonderful group has brought me confidence to write, to blog and to continue in all of my performance rated endeavors.

“The people I have met are my friends for life and what we have at IHDC is a family of ragtag sometimes dysfunctional queens, but they are my queens and we do well together.”

 

Here’s to many more years and below are some of the fond memories…

568            32

9