Serious results in any creative endeavour is fostered by taking it seriously. There are so many factors as to why one can find success with their creativity but above all, attitude is everything.
To be able to constantly learn from something while participating in it has been the driving factor for me in so many different corners of my online activities and for social media. From showing up daily to reflecting how that has benefitted my growth over time to the all important recording of what works in my mind. We take the good we can learn from and continue forth, much like when it comes to writing and then editing a book – just one more edit is the mindset and at the forefront of a writer constantly improving – to me this a good sign.
Patience is a solid joint first place when it comes to pursuing creative endeavours successfully because you could do everything you can to feel like you should be getting good results but instead you face zeros – patience will serve anyone in that situation well and in the meantime keep building, keep learning and keep going – that’s all I have ever done. Evolution really is a change that cannot be seen instantly but over time and with patience and the right attitude, you’ll get there.
Learn how to enjoy having your creative work critiqued might sound like an impossible assignment, but, in my experience, releasing the dislike or fear is about mindset.
Like most things precious to us, we don’t want to have our work dissected, altered, and criticized. We want it to remain whole, unchanged, and pleasing just as it is. And sometimes, we believe that our creation reflects us; so, critique it, and you critique us. We don’t enjoy hearing about the parts of our creation, and thus about us, the creator, that might need improvement.
But why are we so fragile about this? I can only speak for myself. Maybe you can relate.
When I first received a critique of the first draft of my manuscript, the many red markings in the margin (or wherever they fit) rose from the page like warning signals of personal failure. Even when I told myself I’d be okay with whatever came back to me, those pages of red markings were difficult to digest… at first. The next day, after I’d slept on the comments, interestingly, I felt differently about them. One or two of the comments immediately stood out; their improvement to my work was undeniable. If one or two comments made that much of a positive difference, what might all the rest do?
And just like that, I transformed from a wounded ego to an eager creator once more-more excited about my project than ever.
Instead of fearing failure or personal judgment, I experienced renewed excitement about my manuscript, and deep gratitude for the person who’d taken the time to read it, and the care to comment so generously.
My mindset had changed. The critique experience became thoroughly positive; it became a lesson in which I quickly found great value. I was now excited to contemplate and evaluate each thought or suggestion given to me. I moved through each comment with care and consideration. For each critique provided, one of the following occurred:
I accepted a critique suggestion outright;
I used the clear misunderstanding of a critique remark to change a manuscript description, plot element, character intention, word choice, or another such manuscript-related component. Each change brought a noticeable improvement;
Each change brought a noticeable improvement. I reworked a critique to better suit the intention of my manuscript;
I altogether discarded a critique.
Sometimes, well… I’d say, most of the time, we’re too close to our work to see objectively where it needs improvement.
Here are a few examples of errors or omissions we can too easily miss:
Words that don’t convey the meaning we intend;
Improper use of pronouns;
Improper use of tense;
Repetition of phrases or words or overused expressions;
Use of clichés;
Misspelled words;
Holes or gaps; the missing bridges that connect the plot or scene structure;
Creation of a character who lacks depth or isn’t relatable to the reader;
Inconsistencies in the timeline or other details.
In time, handing a manuscript or some other heartfelt creation over to a peer for critique becomes easier. We,
Move past worrying about being judged and get back to the business of producing the best creation we can;
We see the remarkable value in each critique—even the critiques that at first seem too heavy-handed or harsh;
Each remark becomes a path to improvement of creation and craft.
To enjoy having your creative work critiqued might sound like an impossible assignment, but, in my experience, releasing the dislike or fear is about mindset.
This is a guest post by Sherry denBoer and you can read the original version here.
Time can be a funny thing and it has certainly flown since I first envisioned and then eventually released my first book ‘Open Evening’ back in 2016. We’ve seen pandemics, two different presidents and even hardbacks being introduced to Amazon since this book came out.
For a story based upon a bad dream I had during my teen years it has shaped a huge part of me and my author journey ever since I wrote down the events of that nightmare onto six sides of lined paper. While it sat amongst many of my writings gathering dust for some years after, eventually it would be brought back into the light and served as my great writing reset while also being my debut novel and probably being my most important publishing moment to date. This post is dedicated to some of the vital things I have learned through releasing that book and my wider path as a creative.
Books capture a moment and version of you in time…
I am going to defend it jealously but I am also not afraid to admit that ‘Open Evening’ doesn’t contain my strongest writing – why would it? Because between then and today six other releases have arrived in that time. That’s six opportunities to be better than the previous project. Literally hundreds of hours toiling away figuring out my own style and the English language in general stand between my debut and now.
The story to me is still strong, but the execution, that’s something all writers will always be trying to get better at and so O.E. captures my writing ability at that moment in time. This is a book based in the US but written by a UK based author who has never been across the pond – words and phrases don’t always connect but I’m not going to change them for the world, this book represents so many things I’ve learned in time and those quirks make it all the more meaningful. There’s almost a charm in early works by some creatives and this book perhaps has a little of that.
Every time I have gone back into the manuscript files to change back matter or correct the odd error I find myself unable to change anything more than that. It represents me back then and I’m proud of that version of me in time. This also means that if you do read this book first and move on to later releases, you should hopefully see my writing ability evolve.
Truth in fiction resonates big time…
You’ll find that ‘Open Evening’ contains a huge dose of truth in between the monsters, the running and the terror. My own high school days play out in this book but with the fictional volume turned up. From geographical elements to even characters, much of this story is influenced by real things, people and encounters. For it, you get one hell of a resonating and relatable ride. If you are able to find some element of truth to base your own works on, you’ll probably captivate readers. Combine that with the sometimes outrageous fictional ideas and we’ve got ourselves an immersive tale. That ‘truth’ model is a concept you’ll find in all of my works so this book paved the way.
There are some fictional influences also…
From combining the name of my old high school with the town where slasher film ‘Halloween’ is based all the way to Alien, Buffy and even Blade. Much of my favourite thriller/horrors are also represented in this book and I’ve found that paying homage to them in a story gives readers a weird nostalgic comfort. If you liked Final Destination or any of the stuff below, you’ll probably like ‘Open Evening’.
Social Media Following is everything to me now, but it wasn’t always…
I had a fraction of the following I have now when this book was released and still it sold relatively well at the start.
41 copies – most of which were paperbacks got sold on release. This was a record I have only just broken in terms of release month sales. Back in 2016, Facebook was my main platform along with this blog which also had a fraction of the following I now have.
My advice when it comes to authoring and releasing books: You don’t necessarily need a big following to start off with because as long as that work of yours is findable, readers will eventually gravitate to it over time.
Me: I worked on regularly releasing content before I got anywhere near the social media following I have now. Content will foster new followers.
I got busy writing and spending the time I had to create…
Like I have said before, time is probably the governing factor in all of my content and success. When’ Open Evening’ was ready to be released, my editor wasn’t available and then so I had a year in lieu to use and that’s exactly what I did. Just as O.E. hit its release I was planning my next and already had a draft of ‘Darke Blood’ ready to be edited. 8 months later I had two books out there all because I used the time.
The Free Promo(s) have been worthwhile…
Many authors are strongly against giving their work away for free but I’m not many authors and for the six times ‘Open Evening’ has been priced at zero, thousands of people downloaded it. This has led to me finding an important readership and has even boosted paid sales of other titles over time.
Damn, getting reviews is hard…
I’ve tried near enough every trick out there to try and get more reviews and all of that started with this book. From sending physical copies to bloggers who never even responded, let alone left a review to giving copies to perhaps ‘higher end’ indie authors only to see that same copy on ebay some time later. Reviews are so hard to get and this book confirmed that for me. Since publication ‘Open Evening’ has managed 30+ reviews in that time. A small figure to some, but to me and considering I had very little following back at release, a good number.
It is never too late…
You’ll see me preaching this on Twitter every now and then but the release of a book is only the beginning and from that moment after, the opportunity for a book to find sales, reviews, audiences and a following is always there. It is never too late.
Edit: The official release was the 29th but it was uploaded to KDP early
Only you can write your book…
Writing tips and advice take many forms these days, from the awesome gems of guide books out there to social media, but only you the author can find what it takes within to write that book. It started for me with this fast paced high school creature feature horror but I have dabbled in many different genres while only really listening to myself and figuring out this wonderful craft.
Friends and Family were there for me…
As much as I am thankful for the support this book got at the very start, I will stress the word ‘were’ because after the release most of my family and friends disappeared. While back then it was kind of crushing I now understand that most of these people were supporting me and perhaps not the book which forced me over many years to go out and find my own supporters who backed both books and me. This became a blessing in disguise and I know some authors will never even get the acknowledgement from anyone they know for the work they have done so I am ever thankful for that initial support.
That initial support is how I promote myself today…
While most of my family and friends grabbed a copy of this book on release, they did so to support me personally and today that’s how I promote myself – as a person first and then my books second. Most of you reading this would have probably come from social media and might not have even read my works but you know who I am for that effort.
International pricing matters…
This is more of a practical lesson but for a while, my books never sold anywhere outside of the UK and this was mainly due to me not being fully in the detail about pricing in other countries. Be sure to do a little research just to see what is a fair price someone would pay in other places around the world.
Seek Professional Help…
My budget for most releases includes cover artists and editing – both of which to me are essential building blocks that make up the basic anatomy of a book. From word choices, structure and overall guidance; a good editor will help shape that work of yours. A good cover artist will also guide you – ‘Open Evening’ looks the way it does because of the professional help I got. The original cover I envisioned was way more elaborate but I know that those scratches embody everything I wanted to covey for a potential reader.
Keep Creating, Keep Learning…
The journey never ends and books once they are released will outlive us eventually. Books are a life investment and it’s important to learn what you can from releasing one into the wide world where anyone and anything can be said about it.
‘Open Evening’ represents the start of my publishing journey and for all it’s ‘charm’ this book is something I am immensely proud of giving to the world. There is something truly genuine about fostering a story from scratch and writing it with your heart and then offering it to the world; perhaps that’s the most genuine thing a human can do. To me, its certainly up there, so no matter what happens, embrace your art, learn from it, keep creating it and in this case embrace the unexpected.
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