Detective Stories -Scarlet An Excerpt

Fellow author Megan Hinde shares an excerpt from Detective Stories – Scarlet

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Scarlet

Jeff Riggs tossed the garbage bags into the dumpster that sat in the alley behind the Royal Flesh. He lit a cigarette, took a deep drag and watched as the sun fell below the horizon. Taking in the light spring breeze, a needed change from the stale warm air of the club.

Jeff finished his cigarette and was getting ready to return to his post at the front of the club when something caught his eye. He made his way over past the dumpster where a few metal trash cans were sitting, sticking out from behind one of the trash cans was a red shoe. A bright red stiletto attached to a slim ankle wearing black sheer stockings.

~ ~ ~ ~

“What do we have?” asked Detective James Andrews as he lifted the crime scene tape.

“Female, mid thirties, no ID. Found here no apparent cause of death.”…

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Guest Book Review: ‘Neglected Merge’ by Eve Koguce

Guest Book Review by Arianne Nicks

“Neglected Merge” is the first book in “The Neglected Merge” trilogy by Eve Koguce. This book is a fantasy utopian romance featuring Tauria, a 32-year-old woman living in what’s supposed to be a “perfect” society. After undergoing a near-apocalyptic experience, “the merge”, people have rebuilt society with no room for conflict, unpleasantness, or unhappiness. Everyone is living their best life, having the most fulfilling jobs and the best relationships.

Tauria’s world is disturbed when a “Winged One” lands in her home, one of his wings injured. The man, Doron, is part of the royal family of the Winged Ones. While he recovers in Tauria’s home, they fall in love.

The challenge they face is that of bringing their worlds together – the Wingless and the Winged Ones. Politics and love are woven into the story. To bring their societies together, Tauria gets a job that allows her to start preparations for contacting the Winged Ones. On the other side of the mountain, Doron actively pleads with his father to initiate a relationship with the Wingless. Will they succeed in creating a world where a relationship between a Winged One and a Wingless is possible?

I have enjoyed the first book in this series. The environment and the worlds created are unique, and the characters are interesting in their overpolite ways. I had issues believing in Tauria and Doron’s relationship at the beginning, as everything happens quickly and with few details. However, as the story evolves, they grew on me, and I was rooting for them in their endeavors. Doron’s love and passion for Tauria are sweet, and the contrast between this and Tauria’s more serious side is sometimes funny. I also liked how the friendship between Tauria and Byrne developed throughout the story. For the next books, I hope to find out more about Abelia (Doron’s sister) and her story.

“Neglected Merge” is definitely a distinctive read!

This is a guest review by Arianne Nicks the author of Soul of Light and Thunder. You can find more information about Arianne via her website here.

Learn how to enjoy having your work critiqued by Sherry denBoer

via Sherry denBoer Author

Learn how to enjoy having your creative work critiqued might sound like an impossible assignment, but, in my experience, releasing the dislike or fear is about mindset.

As I’ve mentioned in an earlier blog post, the value of creating relationships with critique partners, I remember the jitters that came when first handing off a manuscript for critique.

Like most things precious to us, we don’t want to have our work dissected, altered, and criticized. We want it to remain whole, unchanged, and pleasing just as it is. And sometimes, we believe that our creation reflects us; so, critique it, and you critique us. We don’t enjoy hearing about the parts of our creation, and thus about us, the creator, that might need improvement.

But why are we so fragile about this? I can only speak for myself. Maybe you can relate.

When I first received a critique of the first draft of my manuscript, the many red markings in the margin (or wherever they fit) rose from the page like warning signals of personal failure. Even when I told myself I’d be okay with whatever came back to me, those pages of red markings were difficult to digest… at first. The next day, after I’d slept on the comments, interestingly, I felt differently about them. One or two of the comments immediately stood out; their improvement to my work was undeniable. If one or two comments made that much of a positive difference, what might all the rest do?

And just like that, I transformed from a wounded ego to an eager creator once more-more excited about my project than ever.

Instead of fearing failure or personal judgment, I experienced renewed excitement about my manuscript, and deep gratitude for the person who’d taken the time to read it, and the care to comment so generously.

My mindset had changed. The critique experience became thoroughly positive; it became a lesson in which I quickly found great value. I was now excited to contemplate and evaluate each thought or suggestion given to me. I moved through each comment with care and consideration. For each critique provided, one of the following occurred:

  • I accepted a critique suggestion outright;
  • I used the clear misunderstanding of a critique remark to change a manuscript description, plot element, character intention, word choice, or another such manuscript-related component. Each change brought a noticeable improvement;
  • Each change brought a noticeable improvement. I reworked a critique to better suit the intention of my manuscript;
  • I altogether discarded a critique.

Sometimes, well… I’d say, most of the time, we’re too close to our work to see objectively where it needs improvement.

Here are a few examples of errors or omissions we can too easily miss:

  • Words that don’t convey the meaning we intend;
  • Improper use of pronouns;
  • Improper use of tense;
  • Repetition of phrases or words or overused expressions;
  • Use of clichés;
  • Misspelled words;
  • Holes or gaps; the missing bridges that connect the plot or scene structure;
  • Creation of a character who lacks depth or isn’t relatable to the reader;
  • Inconsistencies in the timeline or other details.

In time, handing a manuscript or some other heartfelt creation over to a peer for critique becomes easier. We,

  • Move past worrying about being judged and get back to the business of producing the best creation we can;
  • We see the remarkable value in each critique—even the critiques that at first seem too heavy-handed or harsh;
  • Each remark becomes a path to improvement of creation and craft.

To enjoy having your creative work critiqued might sound like an impossible assignment, but, in my experience, releasing the dislike or fear is about mindset.

This is a guest post by Sherry denBoer and you can read the original version here.

You can also find Sherry on Twitter.

If you would like to publish a guest post on here then please do reach out.

Guest Book Review: ‘Cascade: The Sleep of Reason’ by Rachel A. Rosen

Review by Rohan O’Duill

A generation has passed since climate change brought about the Cascade that transformed the world, smashing the tectonic plates of the political landscape and infesting the wilderness with demons and shriekgrass.

“Jonah knew that holding power always meant drowning, that every second in office meant fighting for oxygen, with one’s enemies baying like hunting dogs on the shore. Ian, with the treacherous sea in his fisherman’s blood, must have been used to drowning.”

The character complexity in Rachel A. Rosen’s debut novel Cascade is fascinating. Ian moved from a working-class fisherman’s family into being a campaigner and protestor. When he developed magical powers and the ability to see into the future, he aligned himself with the new hope in politics. But it turns out that predicting the future doesn’t mean anything in a political system that is just not fit for purpose to deal with the climate crisis. It’s a chilling observation of the struggles in today’s corridors of power. But despite the weightiness of the messaging in this climate-disaster fantasy, there is a whole lot of laugh-out-loud moments and action that keep this 400 page novel careening along.

“You go lookin’ for terrorists, you see every daft kid dreamin’ of his 72 virgins and every chinless loner prick with a case of blueballs that he blames on his ex-girlfriend.”

Ian Mallory is Malcolm Tucker with heart, and the abuse that he dishes out to confuse and divert attention from his actions is priceless. His apprentice, Sujay, is not far behind with the cutting observations, although these start out mostly in her own head before circumstances force her into the open.

What starts out as a political thriller with magic, quickly evolves into a quick-witted action-filled fantasy that explores climate change, activism, corruption, racial profiling, brutality and the chaos inflicted on the world through popular politics. This is all held together superbly through Rachel’s beautiful writing style and storytelling ability.

This is a guest book review by Rohan O’Duill who you can find on Twitter.

Excerpt of SPINDRIFTS by A-M Mawhiney

Introducing author A-M Mawhiney who shares an exclusive excerpt of her dystopian sci-fi novel SPINDRIFTS…

Suddenly Fania gasped loudly and yelled, “I know where he is. He’s by the rapids. Poppy, come on. Gram, bring your kit and follow us.” She flew out the door with Kaib following fast behind her.
“What was in that tea you gave her?” Hope asked, watching them go.
Alicia was exhausted and unable to face another bout of Hope’s ire, so she merely shrugged her shoulder and stared at her daughter, gesturing with a sweeping motion of her hands for Hope to follow Kaib and Fania.
Kaib could hardly keep up with Fan she was running so fast. She can really run, he thought as he started to fall behind. He was just able to keep her in sight. When Fania got to the rapids he saw her stop suddenly, and she turned to Kaib and signaled for him to stop and remain quiet. Fania’s gestures showed she was fearful of what she saw. As he crept up, he saw why. Ollie was on the rock shelf overlooking the rapids, his back turned to the water, too near the edge for him to be safe. Kaib was terrified Ollie could back off the ledge into the rapids. Kaib followed Ollie’s frightened gaze to see what held the boy’s attention.
“It’s Mkwaa, a bear, Poppy,” Fania whispered quietly, pointing to a large sow reared up onto her hind legs, the bear and boy both frozen in place, staring at each other.
One minute Fania was beside Kaib, and in a nano-second she was between Ollie and the bear. Kaib had taught Fania to be tall and make lots of noise in a bear encounter, but he gasped in alarm when Fania did the opposite, crouching down several feet in front of the bear.
“Fan,” he started, but she motioned for silence, pointing behind her at Ollie and then to Kaib, telling him to get Ollie while she murmured to the bear softly. At first he could not make out what she was saying, until she switched to Anishinaabemowin and spoke at length, saying she wasn’t going to hurt the bear and she wanted to be friends. She asked the bear to let Ollie go with Kaib. Her calm voice seemed to soothe the animal. At that point Fania was sitting on the ground, and the bear suddenly came down on all fours and sat on her rump several metres away, mimicking Fan. Almost like a tea party, she thought, slightly hysterically before catching her breath to settle herself.
The moment was surreal. Mkwaa looked over at Kaib, grunted, and turned her head to look at Ollie, as if to say “get on with it then. Get the boy cub to a safe place.” Kaib motioned for Ollie to approach him slowly, as he inched toward the boy. Once he was close enough, Kaib grabbed Ollie gently and swung him down off the ledge.
A few moments later, Hope arrived to find Kaib holding Ollie in his arms, and Fania, of all things, sitting and chatting with a bear. Kaib passed Ollie to Hope, and once she’d checked him carefully and found no signs of injury, she sat with Ollie at the side of the trail. She gave him water and some warm soup while she glanced back at Fania over her shoulder, her heart in her throat, terrified to clear the tic lodged there in case it distracted Fania. Or the bear. She was paralyzed with fear that the animal would charge Fania. She could see Kaib was readying himself to intervene and that added to her worry, but she turned back to focus on the patient in front of her, steadying her hands so the soup didn’t spill, cooing softly at Ollie who had started to shiver. She knew she had to get Ollie to a warm place. It was time for him to be with his parents.
“We’ll go home now, Ollie. Can you walk with me?”
“Oh,” he wailed, bursting into tears. “I’m in so much trouble. My parents will be terribly mad at me.”
“Oh no, they will be happy to see you safe, you’re not to worry about them being angry. They’ve been beside themselves ever since they realized you were gone,” Hope reassured him quietly, as she put her supplies back into her kit. Standing up and taking hold of Ollie’s hand, she indicated with hand motions to Kaib she was leaving. With great reluctance, she glanced back at her partner and granddaughter one last time before taking the first difficult steps away from where they remained in danger.
Kaib whispered, trying to get Fania’s attention. “Ollie’s safe now. It’s time for you to step back and move slowly closer to me.” The bear looked over at Kaib as he spoke, grunted, and turned back to Fania.
“Oh no, Poppy. I can’t move yet. Mkwaa has some kind of problem we’re trying to figure out. I’m not sure what she is trying to tell me, but she’s upset about something.” The bear suddenly reared up, and Kaib started forward to grab Fania, terrified the bear was starting to attack, but she slowly turned and waddled off into the bush.
“Come along, Fan, it’s safe now, let’s go,” Kaib urged.
“I can’t leave yet.” After a few moments of silence, punctuated by Kaib’s panicked gasps, the bear returned, carrying a young cub in her mouth. She put her cub down near Fania, but far away enough that Kaib could see Fania was safe—at least for the moment. The bear huffed at Kaib as if she could understand what he was thinking, and backed up to give Fania room to approach her cub.
Kaib noticed the cub had fishing line wrapped around its snout.
“There’s a fishhook in its mouth, Poppy,” Fania said quietly, as she gently picked up the cub and put in on her lap while the poor creature moaned in pain. He couldn’t open his mouth because of the fishing line. Fania gently pulled the hook out while she crooned to the cub. Once the line was untied, Fania put the cub back on the ground, stood slowly, and stepped back a few paces. The cub rushed back to his mother who stood and regarded Fania intently for a few moments, crashed to the ground on all fours, and herded her cub back into the bush, stopping once to look back at Fania before disappearing from view.
Kaib quickly climbed up onto the ledge and urged Fania to sit with him, overlooking the rapids. The water level was low with the rocks showing though in places. As Kaib looked far below, at the churning water, he felt so relieved that Ollie hadn’t fallen. He’d never have survived such a plunge.
Kaib put his arm around Fania, who had started to shake. She leaned in for his warmth and comfort. “This is so strange. I felt calm and safe the whole time I was with the bear and her cub, but now I feel scared with what could have happened.”
“You were very good in such a difficult situation. It is natural to have a reaction right after such an intense experience. I’d worry if you didn’t.” He held her for several minutes, until she breathed deeply and stood up.
“Let’s go home, Poppy. All of a sudden I feel exhausted.”

This is an excluisve excerpt from A-M Mawhiney’s debut book, Spindrifts, published through Friesen Press, November 2021 which you can find here.

Excerpt of ‘Nowonderland’ by M.C. Gladd

Billy soon ran out of tunnel, er rather hallway, and entered a room about twice the size of the living room in his and his mom’s small house. Purple tiles still lined the floor and wood paneling the walls. There was a lopsided vaguely trapezoidal shaped door on the far side of the room. Two crooked looking sofas and two armchairs of grey leather or horribly patterned fabric lined the walls, all scaled down for people of a rather small stature. He walked nearer to a sofa that had a dotted fabric on it only to realize that the small dots were in fact, insects. The bugs on one of the cushions scrambled out of the way, giving him room to sit down, but not before spelling out ‘sit here please’ in all caps and then crawling off to the side, still in formation, like a marching band halftime show. He didn’t sit down. As he backed away from the sofa, he could have sworn he heard a thousand tiny sighs of disappointment coming from it.

Between each of the chairs and sofas was an end table of some sort, each supporting some of the ugliest lamps Billy had ever seen. The tables themselves had been crafted with all the loving care of a nearsighted carpenter who didn’t own a tape measure, a square, or a level, and had never held a hammer in his life, and who was working with his feet instead of his hands. In the center of the room was a dining table with four mismatched chairs. On the table was a pitcher full of water and four cups, none of which was perfectly round. There wasn’t a single right angle, level surface, or straight line in the whole room.

The water reminded Billy he was thirsty. As he looked closer to the pitcher, he noticed little fish swimming around inside. Weird looking fish that were subject to the same laws of dimension and proportion that affected the rest of the room. As he looked closely at the fish, one of them took notice of him, swam up to the glass and said, “what?” in a voice both too deep for such a tiny fish and muted like you would imagine someone speaking underwater would sound like. He also sounded a bit irritated.

“Nothing,” he replied, backing away. He pulled his backpack off his shoulders and grabbed his own water bottle. He froze before opening it when the door opened and in walked the strangest creature Billy had ever seen. It didn’t see him though, it was staring at the floor as it walked, mumbling to itself. Its mumbles were interspersed with strange whistling and popping sounds.

“Hello,” Billy said, announcing his presence and startling the creature badly.

“Oh my! Oh my,” it said, waving its arms around and jumping back. “You scared me half to death.”

Billy studied the creature while he, (it sounded male Billy decided), calmed himself down. He was about three and a half feet tall and was just as unsymmetrical as everything else in this strange place. He had ten fingers at least, six on one hand, four on the other. One of his lower teeth was a fang that stuck out over his top lip and was so long that when his mouth was closed the tooth in question rested perfectly, deep within his left nostril. This is what caused the whistling sound every time he exhaled with his mouth closed. The popping sound was that same fang overcoming suction every time it left his nostril when he opened his mouth. He had dark curly hair on the right side of his head and straight red hair on the left. His eyes were different in size and color. Every time they fell on Billy, the creature winced and turned away. The clothes he wore were almost normal all things considered, a bright red, button down short sleeve shirt with what looked like yellow two-headed lizards on it and brown slacks with rough looking, different sized, boots on his feet. Billy was pretty sure the lizards were moving around a little.

Presently it said, “(Pop) I assume you came from the…uh…Outside? (whistle)” It met his eyes again and quickly looked away and grimaced, although that may have just been his normal expression.

“What do you mean by Outside?” Billy said, confused. “I came down the tunnel at the end of that hallway he said turning toward the end of the room he had come from. The arch over the hallway opening had a sign above that read “The Gallery” in crooked uneven lettering.

“(Pop) I know that. I live here. You came through the entrance from the Outside,” the creature said, a tad impatient. Like this should be obvious, which Billy supposed it might be in a place like this. “(Pop) They told me when I bought this house that this might happen, (whistle pop) but that it was very unlikely,” he added, more to himself.

“Well, I’m here,” Billy said. “If you could just tell me where here is, I’ll be happy to return to the…uh Outside and get out your house.”

“(Pop) That would be great actually,” the creature answered. (Whistle pop) “You’re quite ugly and hard to look at to be honest. But you can’t go back that way. As I said, it’s an entrance. To go back you need an exit.” Again, his tone was that of a parent explaining something obvious to a particularly dense child.

“What do mean I’m ugly?” Billy said. “And why can’t I leave through the way I came in? It’s a tunnel, isn’t it?”

“(Pop) Sorry. I didn’t mean to be rude, but your face is rather…. symmetrical.” At this, he shuddered as though the thought repulsed him immensely. “And as I said, it’s an entrance, not a tunnel. One is one-way and the other is not. Is that not how things work in the Outside? Go look for yourself if you don’t believe me. (whistle)”

This is an exclusive excerpt of ‘Nowonderland’ by M.C. Gladd which you can find here. More information about the author can be found via Twitter , Facebook and his website.

Excerpt of ‘The Big Cinch’ by Kathy L. Brown

The Big Cinch, Chapter One: Goodwill


I tapped the Judge’s office door, once, then twice more. At his beck and call day and night, I was. “That must be him now,” Judge Dolan rumbled through the oak panel. “Come on in, Joye.” He was behind his desk, and a swell doll in a smart black dress sat across from him. He gave me a nod and a wink and said, “Mrs. Humphrey, please meet my assistant, Mr. Sean Joye.”

The lady stopped rooting through a beaded bag on her lap and looked up. Pale blue eyes behind a short net veil met mine. They gave me the once-over. A high-society doll and not a bad looker at that. She hadn’t bobbed her hair yet, like half the women in the city. It was all pinned up, mysterious-like, under her wide-brimmed purple hat. Whatever this job was, it couldn’t be all bad.

“Sean, this is Mrs. Taylor Humphrey,” said the Judge. “She brings me an interesting problem.”

“Mr. Joye,” she said, extending a small hand with long, slim fingers. “Please call me Violet.”

I didn’t think she meant it. I shook her sweaty palm, which smelled of Shalimar and jumpy nerves. “Mrs. Humphrey, an unexpected pleasure. This fine morning is now brighter, indeed.”

Her look told me, “Cut the blarney, paddy,” but she said, “The old woman in the lobby predicts snow. The ghost from the elevator shaft told her so.”

I didn’t know which old woman she meant but pretended I did, doubling down on the brogue. It seldom failed me. With American women, anyway. Gents? Not so much. “Pulling your leg was she?”

At that time, I didn’t know any better than old granny tales, that ghosts were merely folks carried off to Faerie, come to pay a bit of a visit to our mortal realm. Not that I’d ever seen any of the fae, including ghosts. At least, not in the courthouse lift. Other places perhaps? I’d just as soon not dwell on that.

Violet returned to the bag and fished out a photograph. The Judge took it, gave it a glance, and handed it back to her. “Why don’t you explain your problem to Mr. Joye?” He folded his hands across his tweed waistcoat, leaned back in the chair, and smiled. I’d never seen him more pleased with himself. “Of course.” She took a deep breath. “This is difficult.” I dumped my coat and fedora on the coat rack and pulled up a chair. “It’s about my sister, Lillian. Lillian Arwald.” She indicated the photograph in her hand and handed it to me.

A pretty young woman—a child, really—in a white, high-collared dress that hung near her ankles, smiled out of the sepia-toned picture while her eyes challenged the world. She looked about sixteen years old. Long blonde hair was pulled back from her face with a fancy comb and hung in loose curls down her back.

“We had a small family squabble, and now Lillian’s run off.” Violet looked down at her lap. She bit her lip, like she was about to cry or something.

I didn’t buy it. Something had spooked her, but it wasn’t the need to discuss her sister’s indiscretions with a circuit court judge. “Do you think she’s in danger?” I leaned in closer. “Sounds like a job for the cops.”

“No, no. Nothing like that. Her debut is this weekend at the Piasa Lodge Ball.”

“Debut?”

“A party. Where young ladies are presented to society.”

I nodded like I understood. I didn’t understand. “And it’s in a piazza? Somewhere on the Hill, I guess.” I tried with difficulty to picture which courtyard in the tidy Italian neighborhood, not far from where I stayed, could hold a fancy society party—in February, to boot.

“No. Piasa. Pie-uh-saw,” Violet said as she crossed her arms. “The American Indian mythological figure? The painting on the river bluffs discovered by the first French explorers?”

The Judge looked embarrassed at my ignorance. “At least a dozen businesses in St. Louis and even more across the river in Alton are named for it,” he said, smiling at her. “And, of course, the premier civic booster organization of the city.”

Well, la-de-da. “So, nothing else for her to hide from?”

“She’s been a bit wild.” Tapped the picture in my hand, Violet said, “That’s from a few years ago. Now her hair’s cut short. Skirts too.”

I liked the twinkle in Lillian’s eyes and something about the smile. The girl had a secret or two, just waiting for the right moment to bust loose.

“She’s just in a phase,” Violet continued. “She’s engaged to be married to a respectable attorney.”

“Trouble with the boyfriend?”

“Perhaps.” But from the look on her face, the boyfriend had nothing to do with it.

Kathy L. Brown’s The Big Cinch is a Dashiell-Hammett-style supernatural noir mystery novel featuring wizards and Mississippian mythology, available now from Amazon.com and Amazon.co.uk

Book Reviews XIV

A big thank you to fellow author J.D. Cunegan for sharing some recent reviews including one for Consistent Creative Content

J.D. Cunegan

Consistent Creative Content: A Guide to Authoring and Blogging in the Social Media Age by Lee Hall

I honestly believe every indie author needs this book on their shelf.

I’ve made no secret on several different platforms my creative problems of late. The reasons for this struggle are numerous, but at least throughConsistent Creative Content, I now have a road map for getting back on the proverbial horse. At the height of my writing powers, I was publishing two novels a year and averaging a blog post a week — and it’s no coincidence that numbers, meager though they were, were much better than they are now.

Lee Hall’s brief how-to not only offers a road map; it’s also inspiration (for things I can do going forward) and validation (that, in some ways, I was on the right track when I was at my best and most productive)…

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Excerpt of ‘Zero-Day: A cyberpunk action adventure: The Sommerfeld Experiment #1’ by Al Davidson – Discounted Today!

Somewhere in the desert east of San Diego, California.

“Joshua, don’t be a dick. Okay? Humor me,” Marta Guerrera said.

The weapons dealer of choice for terrorists worldwide wore a long-suffering expression. She braced a hand on the warm metal skin of the mobile tech unit, her voice low. An awning shaded her and Joshua from the worst of the searing afternoon sun.

“You have an odd definition of ‘humoring’. You’re asking me to kill four people.” Joshua squinted out over the monochromatic tans and browns of the desert. Far out over the next hill, he could see vultures circling. The sweet-rotting smell of death floated in on a tepid breeze.

“You and I want the same thing. We want Zosar’s money, and he wants a complete demonstration of the Maelstrom’s capabilities.” Marta wasn’t a nervous person, but Joshua noted the tension in her stiff posture, the tight set of her mouth, the pinch at the corner of her eyes. She didn’t like the change in plans either.

“Dead bodies attract the wrong kind of attention.” Joshua had come outside to compose himself before linking his brain to his experimental weapon. He needed a moment, but Marta didn’t seem willing to give it to him.

“They’re scumbag implant counterfeiters.” Marta gave a stiff one-shoulder shrug.

“That’s not the point, you know it.”

“How many hundreds of people are dead because of them? You’re doing the Federal Implant Directive a favor.”

“Doubt they’ll see it that way. We should put this demo on hold. Let me talk to Zosar.”

“Not happening. I know you, and you have no filter. By the time Zosar finishes listening to your bullshit, he’ll want to drop a nuke on this state just to shut you the fuck up.” Guerrera took a breath. “This deal has taken me months to set up, and this is it for me. I’m retiring, so I’m not watching our money storm back to wherever the fuck Zosar hides in between his little wars.” She pursed her lips and watched a lizard sunning itself on the top of a nearby boulder.

Joshua watched Marta walk to the edge of the awning’s shade and cross her arms. Tall for a woman, with a compact frame and dark hair peppered with gray around the temples, she was an ex-marine, and about as endearing as a hungry wolverine.

“Look, we don’t have to like this, we just have to like his money. Do your job, demonstrate the weapon and be a good boy.”

“Good boy? You sound like my fucking mother.”

“There’s a reason I don’t have kids.” She drummed her fingers on her forearm. “It’d be my luck to pop out an asshole like you, and I’d rather not have strangling my kid on my conscience.”

Curbing his irritation, Joshua pressed a palm against the tech van’s security reader and the door slid open. He walked inside, the air conditioning a welcome reprieve from the heat. Guerrera followed, the door closing behind them. Kevin Maitland, Joshua’s best friend and weapon co-designer, sat in front of a half-dozen inactive holoscreen disks and a control panel. He was a slender, dark-skinned man with a halo of black hair and a pleasant, expressive face. His blue t-shirt read, ‘Science is Like Magic, But Real’. Kevin reminded Joshua more of a college student preparing for a math competition than one of the world’s foremost weapon engineers.

Kevin gave Marta and Joshua an absent wave. Kevin had designed and outfitted the mobile tech unit, the size of a delivery skyvan, to support Maelstrom’s operation. The U-shaped console with the holodisks allowed a tech to monitor data. Next to the console was an integrated Virtual mainline rig for the weapon’s operator, its pure nanogel material engineered to block out any outside stimuli. Typical mainline Virtual rigs nanogel material provided virtual sensations, but Joshua’s connection to the Maelstrom depended on nothing distracting him, a complete absence of sensation.

Marta’s gaze darted to a Deimos machine pistol on a stainless-steel table. The automatic pistol’s digital readout displayed a full magazine. “Where the hell did that come from?”

“I got it from one of your people. I told them to put it on your tab.” Joshua couldn’t suppress a fleeting ghost of a snarky smirk.

“Of course you did,” she muttered under her breath. “Are you expecting trouble?”

“It’s only trouble if you’re unprepared.”

“I need that on a t-shirt,” Kevin said, leaning back in his chair and crossing his arms behind his head.

Joshua could hear Marta’s teeth grind.

“Well, it looks bad to our clients, like we’re expecting problems.”

“This is my ‘I don’t give a fuck’ face,” Joshua replied with no inflection.

“That’s Z’s normal face,” Kevin chuckled.

This is an exclusive excerpt of ‘Zero-Day: A cyberpunk action adventure: The Sommerfeld Experiment #1’ by Al Davidson which is discounted today and available here.

For more information head on over to Al Davidson’s website here and you can also find Al on Twitter and Facebook.