The Lion King – Review

A visual spectacle where the show is stolen once again by two familiar characters…

It’s hard to deny that the Lion King is a tale of epic Shakespearean proportions, after all it’s ‘Hamlet with lions’ but the story has appeal to all ages and Disney continue to do that clever thing where they adapt a previous release into live action. This concept is near enough a solid strategy for selling tickets to the young and old and yet again it’s worked in that respect but a live action adaptation that involves just animals; does it really deliver?

My answer is yes and no, because I can’t deny visually the cinematography and computer generation somewhat merge into an impressive spectacle. Much like when Jurassic Park came out most people found it hard to determine when they had used CGI and not. The same is for the Lion King and although it looks great it feels like a certain dimension of the story is missing with this choice and I am talking about emotion.

Yes these are animals and they express emotion differently and in a cartoon you can make a lion frown or smile but when it’s appearing as ‘real life’ the concept is kind of lost. This is even more so apparent in musical numbers where emotion is the real key to delivery.

I’m not a film critic so that’s the subjective part out of the way because overall I enjoyed the Lion King – I avoided the animation for a many years because its quite sad in parts and the same is for this version but the story is about redemption so I dig it. The voice acting can’t be faulted along with most of the musical numbers – it seems ‘Be prepared’ was mostly omitted disappointingly… but everything good about this new version is what makes it worth seeing. It was pretty rewarding to see some scenes exactly how they were in the animation, a fitting tribute for this new live action way. I really liked how some of the characters were created visually; Scar looked exactly how an outcast lion would – dark and ominous and who wouldn’t mention Timon and Pumbaa – two characters who stole the show yet again and their comedy made the whole thing! Of course full credit to James Earl Jones who reprised his role as Mufasa from the original.

You’ll laugh a lot as well as find some of the film emotional in what is a brave execution for Disney leaving some audience members still unsure, but if you ask me the Lion King gets 8 ‘Hakuna Matata’s’ out of 10 

  

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Rocketman – Review

A candid tell-all story about a truly great musician and artist…

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Rocketman succeeds somewhat where other biographical stories fall short because this film follows Elton John on a very personal and sometimes brutal level. First and foremost it’s a musical which is delivered in way best described as fantasy.

Lead man Taron Egerton whom I was yet to find a good film of until now has found a great way of not only embodying Elton John but also carrying it in his own style while still very much resembling the music superstar we all know. In fact the realism and brutality of fame intertwines brilliantly with a back catalogue of well known and  sometimes melancholy songs that blend together to bring what is a fun immersive story.

We see Elton’s routes from his very early home life and interest in playing the piano. His mother played by the probably over glamourous Bryce Dallas Howard who is believable with an English accent. This is also where the absence of a Father figure emerges for young Elton while he tries to figure out his emerging talent. Soon the story transitions to Egerton’s portrayal where he meets long time lyricist and friend Bernie Taupin; the film does well in telling a story of two artists here; the perfomormer and the writer; something where a lot of bio’s fall short. Eventually they make their way over to the US where Elton’s performance at the LA Troubadour club is portrayed in a fantastical but real way showing the effect of his talent to a new audience. His rise to fame and fortune follows while the life of a Rockstar begins to take its toll.

Overall the premise of this film is delivered in an original reflective way as we are introduced to Elton in full bright orange garb as he sits down for group therapy. He tells the story as if he is in that therapy; from drugs, alcohol and even shopping addiction to even loneliness nothing is sugar coated in what is a great biopic about a great musical artist.

Even the next morning I found myself singing to myself.

5/5 Starts 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

IT Review

 

Remakes/ reboots in modern day cinema are as common as a rainy day in the UK and so the Stephen King classic gets the same treatment from maybe his most famous book adaptation, but every so often there comes a remake that stands out above the rest…

it.PNGYes I’m talking about what may be the best and most sought after film of 2017, last night I took full advantage of Empire Cinema’s ‘cheap day’ to check out new release ‘IT’ and I give you my word, not a pair of seats were empty. People were filing in after 20 minutes of the film beginning which tells me people wanted to check this out, and nobody left disappointed. Not that I can speak for the masses but in a word this film was Fantastic!

As some of you know I try my best to avoid spoilers and give most films a review that looks mostly at the good parts, in fact there were hardly any bad at all but we shall get to that..

It’s late 1980’s small town america, Derry to be precise and immediately we are introduced to a harrowing set of eyes glaring out of a storm drain up into the grey rainy suburban street.”Pennywise’ is shown in all his quirky and sinister style with actor Bill Skarsgård bringing a departure to Tim Curry’s version of the clown in which I couldn’t help be fond of in a weird way. To me he was just interesting to watch with his aura of mysterious evil and of course the ability to produce a mouth full of shark like teeth in which he uses right away.

What impressed me the most about this clown character was his psychological element. Pennywise manipulates the minds of children through their own fears and lures them to a horrific end. Hence why the town Derry has 6 times the national average of missing persons.

The main characters of ‘IT’ are made up of a close nit group of friends who eventually self proclaim themselves as the ‘losers club’. They are your typical middle of the road school kids who all have different problems of growing up. Eventually they band together in what is a perfect mix of chemistry between a wide variety of kids all bringing something different to the table, all with a light comedic mix to lighten many of the tense horror moments. Their portrayal impressed me and didn’t feel pushed at all, this was a group that all individually played a part in the team which set out to discover more about this clown. In a way they reminded me of Stand By Me, the Goonies and of course more recently Stranger Things which ticked a box in a big way.

Personally, I felt this film wasn’t that jumpy, now everyone has a different tolerance but I probably flinched once of twice and that’s a good thing. Too many films rely on jump scares where as this one played with your mind more, true Stephen King style. Yes it’s scary but there are too many other good things going on to write it off for just being a horror film. And yes Pennywise isn’t the only horror in this film for the ‘losers’. You’ve got passive aggressive and somewhat violent bullies, abusive or over protective parents along with the many missing children that all fit in and play a part.

I enjoyed this film all the way to the end and to me it didn’t drag or get boring at all. The pacing for such a story felt just right and the modest surprise at the end told us that this was just part 1.

Overall the scary sequences were scary and unpredictable, the cinematography looked great and the effects were consistently real. It wasn’t that scary and definitely worth a look even for some of the laugh out loud moments in dialogue between the kids. I’m looking forward to Part 2 and IT is easily a candidate for film of 2017!

 

 

Alien Covenant Review

The Saturday morning blog is back! This time I am armed with a review of the new Alien film which was indeed a sequel to Prometheus which was indeed sigh worthy but I went into the cinema with partial hope.

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First of all; I don’t listen to film review people, as far as I am concerned they are full of sh** , let’s face it they are. You know that and so do I, they are either so far up the rear end of a film or the quite the opposite. Here you will read an honest review with a focus on what was good and what wasn’t so good. I think we all owe Ridley Scott some respect for sticking to a series of films and his overall contribution to cinema should never be overlooked.

And that’s where we will start; Alien, Prometheus, Gladiator and now Alien Covenant to name a few. Ridley Scott makes some awesome looking films, you’ll never see him skimp out on production value and this especially goes for the world he has built with Alien. The industrious environment of spaceships and far off planets are always created with a realism in mind. I guess I shall have to nod towards production design as well as a director or writers vision. But in order to make a good film you can’t rely on visuals alone, you need story, performance, tone, theme and plot.

Quite honestly Alien Covenant ticked many boxes but it also fell short in some ways. For much of the beginning portions of the film I felt as if this was an Alien remake, and look we are in the days of constant recycling of material, stuff that works I guess and initally Alien Covenant worked.

First of all we are shown our first billed actor Michael Fassbender his performance as a robot is arguably the best we have seen in this series so far, without treading on the likes of Bishop (Aliens) and Ash (Alien). And a very strong theme in this film is robots or at least Fassbender’s character. So what seems like an intriguing start the main narrative of the film then begins.

A colony ship called the Covenant is on it’s way to a distant planet, events turn quite unlucky and dark at the very beginning so the crew are awakened out of hyper sleep. As they recover from the events and begin repairing damage there comes a distress type signal with it’s origin not far from them. Already this formula sounds rather familiar with some changes and of course comfortable stuff that stays the same throughout an Alien film. We see a diverse range of characters who make up the crew of Covenant including a Captain seemingly out of depth with the arising situation and some familiar faces from recent film which all put in believable performances.

Eventually the crew arrive at the source of this distress type call, that being a distant habitable planet. At this point the build up and introduction of the story is paced well with the ever important element of mystery in the story. What is this getting to? What’s coming? are the sort of questions you ask yourself at this point.

The unlucky element of this arriving crew strikes again with a sinister level of disaster. In moments everything falls apart for them, two members become infected with a new type of organism (which is very alien like) but not shown before or explored in this world and that’s what I feel Ridley Scott is trying to do here, he’s trying to bring his Alien story full circle and with this film we are only half way there.

Eventually the connection to Prometheus kicks in but don’t let that put you off, everything is explained with in this film’s narrative. Soon enough Michael Fassbender is face to face with the character David he played in the previous outing and this was done well. The whole robotic morality thing is touched upon here as they meet but the sinister edge turns even more as this crew are taken in by David.

As much as I would like to give the rest away, that’s not how we do reviews on here. So let’s cover the good and bad.

The good

This felt a lot more like an Alien film as opposed to Prometheus. There was suspense and real tension. The scenes didn’t jump around and most of the time Covenant focused on one story instead of trying to tell five. This means all of the scenes shown were indeed necessary. Prometheus didn’t know what it was but this one was a horror film.

The characters: many of these personalities we have seen before but they were great, Michael Fassbender, Katherine Waterston (Fantastic Beasts) and Danny Mcbride (Pineapple Express) all stood out to me.

It continued on from Prometheus and was way better than it. This time we saw an actual Alien we all know well and this time around it seemed more lethal than ever. This may have been due to the use of computer generation of the Alien but gave it an Alien Isolation (video game) feel.

The visuals and sets were awesome as always and kept to the theme of previous films.

The music choice this time was better than Prometheus, and nodded to Alien more.

Robots in this were more of a big deal and less of just a side threat.

The not so good

Bad is a big word to use for a film and Alien Covenant wasn’t. But there were things that weren’t so great.

It was predictable, most of the time we knew what was coming. There were only a few Alien related things we hadn’t seen before.

There were a few moments where things didn’t get explained or where they expected you to fill in the gaps ( don’t do that in a film).

The twists nearer to the end could have easily been called from early on. You could even say some twists just shat on the audience at the end.

This doesn’t wrap up the series: unfortunately we aren’t there yet folks!

Conclusion

For what felt like an Alien Remake to begin with this film took it’s own identity but continued to nod towards the original. If you use Jurassic World as an example, that film nodded to the original but cut its own path more. Alien Covenant just felt as if it was up Alien’s ass too much.

Most importantly for any Alien fan and to my conclusion its worth a look! Prometheus was a solid 3/10 this one is north of 5/10.

 

Any Other Business

Next week things are really going to hot up towards my next book arriving. Darke Blood should hopefully get a cover reveal at some point! I have also started a sale on my first book Open Evening which is available as an e-book for £0.99! 

Free Pre Release Content is available if you sign up via email to this blog. I’m talking free books for loyal followers!! Sign up today peeps!

Logan Review

I don’t think anybody knows where the actual timeline of events lies with the last few X men films but I can happily say that’s not relevant. As a matter of fact I myself have never seen a bad X men film and so I went into watching Logan with rather high hopes.

If you have read my reviews before I do my best not to include major spoilers so consider this a warning if you haven’t seen Logan.

logan.PNGThe year is 2029 and quickly we are introduced to an older beat up Logan. Hugh Jackman fits into an older wolverine well considering he is older now. Walking around with a limp you immediately believe Logan has seen better days. The mutants we all know too well with this universe are nearly all but gone. That is apart from the Professor himself (Patrick Stewart) who brings probably his greatest performance of Professor X I have seen.The wheel chair bound genius is reduced very much to his somewhat demented thoughts and is reliant on medication.

For the first time in these movies we see the pinnacle icon characters for who they really are, and without being poetic this film about mutants has never been so human. Wolverine is literally floating down at the bottom of the barrel and trying his best to keep Professor X above water. The likes of Storm, Rogue, Cyclops and the school for the gifted has long gone making the premise of Logan dark and even desolate in some places.

The story soon enough unfolds which is; survival of the mutants. The mostly mute and brilliantly cast Dafne Keen plays a young girl caught up in the full on extermination of her kind. It is up to Wolverine and Professor X albeit their conditions to bring her to safety. Action is woven in and out of the plot and feels relevant at all times even if this is an uber violent version of an X men film. We see the very graphic repercussions of what clawed hands actually do to a man in a somewhat Tarantino style. Paired with this is the swearing and a lot of if which is no complaint to me, it just adds to the humanistic realism.

The bad guys come in the form of Boyd Holbrook a bounty hunter type and later on the twisted doctor played by Richard E Grant who are equally great and convincing. They do their best to track down the final mutants some of which are very young kids all in hiding.

As much as we could predict from the trailer this film did feel like a final send off for an era of great films.Anything that did happen wasn’t predictable and even came out of the blue. I must give full credit to Hugh Jackman and Patrick Stuart who both in my opinion put in oscar worthy performances. Both of them were really emotionally attatched to their characters and you get a well invested performance across the board, even the minor characters felt like they were well thought of.

As much as its uncomfortable to see X men favorites in such a position it has given them a brand new angle and relevance. Emotion, brutal struggle and coming of age are the words I would use to define this film which was watchable all the way through.

Other news about books n stuff

Ok so I have been looking for more ways to get eyes upon Open Evening (my first book) and may have actually found a little inch of success and a few sales. Over the past few weeks I have been running a few giveaways.

  1. Amazon giveaway to people of the US – Over 500 people signed up and glanced upon Open Evening, that competition is now closed and books are on their way to the winners.
  2. Goodreads – Giveaway runs until the 21st of March 2017, currently 555 people requesting 1 of 3 signed copies. Link here 

Both giveaways have helped immensely in terms of follows, facebook likes, and tweet people following me. I have even sold some books over in the US. Thanks to all who have taken part, got themselves a copy and have joined me on this journey!

 

 

 

 

 

 

 

Fantastic Beasts Review

The year 2016 seems to have zipped by, sometimes without any remorse and even with a political brutality, but waiting for the end of November to roll around actually felt like waiting forever. It has also felt like an eternity since we’ve had a new film based upon the magic of JK Rowling’s Harry Potter and all I can say is… ABOUT DAMN TIME!

Fantastic Beasts is suited to an audience who have all graduated from the school of wizardry and Witchcraft and are now finally set free into what is a fully expanded world of magic.

fant-beasts

We go back to New York city in the 1920’s and in convincing style with wonderfully constructed detailed sets, costuming and camera work. Immediately an aura of threat and mystery is teased as themes along with elements of a classic crime thriller. Watching this film for some of it didn’t feel like just a magic film with spells and wands, it had a sometimes gritty and even dark tone which has allowed me to name Fantastic Beasts a magical crime thriller in genre.

Having a ministry of magic in the UK which is indeed underground and away from the prying eyes of ‘muggles’ is very much a semi -realistic thing that could be covered up. But having a separate American magic society under the watchful eyes of millions of New Yorkers, well that’s a great feat JK Rowling has pulled off. Realistically those who aren’t magically inclined are given another name, no-maj. And it is with details like this that I really appreciated of course with the other big stuff.

Eddie Redmayne leads a very much star-studded cast as Newt Scamander and plays him as an endearing eccentric you can only get behind and want to succeed. He has arrived in New York after just completing a global excursion to document an array of extraordinary creatures. He quickly crosses paths with a no-maj known as Jacob Kowalski and after a mix up of brief cases the film begins to roll and unfold. They develop a friendship along with trying to track down many of the mistakenly released creatures Newt had in his swapped brief case.

As much as I would like to give everything away in what I thought was a breath of fresh air for a Harry Potter style film, I won’t provide any spoilers. And I say a breath of fresh air because the magic element of this universe has so much potential for expansion beyond Hogwarts and that is what Fantastic beasts delivers upon. We are shown creatures never before seen in this world and there is one particular sequence in which we see Newt introduce Jacob to this group of said beasts, which left me somewhat open jawed and feeling like a kid again.

We see magic in completely different scenarios, ones where it is fully out in the open. The hustle and bustle of New York wont stop the magic, it only heightens and somewhat romanticizes it.

Credit must go to a cast with great depth, appearances from Colin Farrell and John Voight. And I must give credit to Katherine Waterston and Dan Fogler who did support Eddie Redmayne through out the film. Any reservations I had about Redmayne have very much been put to bed now. His character provided the ultimate mix of mystery and ‘your not the run of the mill every day hero’.

So my conclusion…

What I enjoyed the most was the freshness of this new story with a familiar magic theme. Seeing wand vs wand action is indeed something with a lot of action potential. And saying that the action was spread out, well delivered and well-paced along with everything else in the film. This to me felt like Harry Potter grown up, with a real crime type feel that even looks more towards an adult audience which is what this universe is cleverly appealing to. Kids will enjoy it too as I feel there is something for everyone in this film although some elements are a little dark, but no darker than the exhaling ways of the dark lord who won’t be mentioned.

For what is the beginning of Christmas Blockbuster season Fantastic Beasts and where to find them will definitely heavily contend for film adventure of 2016!

Attention Readers: 

I shall use this opportunity to tell you that very soon I plan on sending out FREE reading material in relation to my future books. You will only receive this stuff if you sign up to my mailing list and give me your email (trust me the next few books I’m sitting on don’t want to be missed), so sign up today!!!

 

 

Chappie : A story about a robot about humanity

In the future there will be robots…… You will probably get the rest as you have heard me many times ramble on about the first line of my book.  I was feeling a little anxious as I went into the cinema this past Friday to watch a new film called Chappie.

Anxious because my unpublished work deals with similar issues as seen in Chappie. Robots are centre stage and with me going into watch this film there was a hell of a lot at stake. My reason for this is because one day in the not too distant future I want to see my legacy of novels converted to the big screen. So anything robot related is representing the genre that my life’s work is under. But enough about my internal ramblings.

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From the very beginning Neil Blomkamp ( director of district 9) throws us into a world not that far away from ours. Johannesburg, South Africa. A place where crime is a big problem. So the police have started to draft in newly developed robots to deal with the gangs and violent goings on. Minutes in and we are treated to spectacular action.

Many of these police robots are involved and you know sometimes there’s that moment : ‘oh that’s a bit fake’. I’m not sure how they did it, whatever sorcery was involved worked. Because I was led to believe every robot I saw, engaging in combat was actually there.

The story continues to unfold and we are introduced to some well-known faces such as Hugh Jackman, Sigourney Weaver and Dev Patel. But they were matched by some rather unknowns who to me stole the show. Our title character begins life as a police robot and takes on heavy damage early in the first action sequence. This runs in parallel with some swanky new software being developed by Patel pulling an all nighter on red bull.

This software allows a robot to simply be human in terms of emotion and feelings. He can learn and is influenced by the people around him and from what he is told. The ultimate theme and concept that is familiar in all robot stories. But this time they got it so damn right.

Chappie is born and the real story begins. I found myself thoroughly enjoying this film. There were nods to Robocop and many of the 80’s sci fi classics in terms of certain themes and sequences. As much as it felt like one of those classics this also felt like a modern day better version of these productions.

I wouldn’t be able to compare this film or story to anything ever done on screen. It’s a fantastic original piece and represents the robot genre immaculately. There were moments when I laughed out loud and times when I was truly moved. Mostly by this robot who was just trying to find his way in the world. The story to me was beautiful, I have only been quoted once to say that about Titanic. Leo DiCaprio and Kate Winslet falling in somewhat doomed love whilst one of the worst disasters in history unfolds around them. This is all heightened by that tragedy. It’s perfect and although chappie isn’t as much a Romeo and Juliet story it still gives the same effect.

Although the action was quite violent in places, it was suitable for what Neil Blomkamp was trying to tell us. This film wasn’t about robots in the end, it was about humanity and its ability to make you laugh and make you cry with every other emotion in between. But it takes for something not human to try and be human for us to see that. (yes read that last sentence twice and slowly)

I came away thinking what an exceptional film and story. One film that I do recommend you seeing because it may not make you laugh or move you but it will certainly get you in one way or another.

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The film had some great thought provoking moments much this one

 

Into the Woods : Wicked : My musical weekend

From the very beginning many of us knew that this year was gonna be all about movies, considering I have pretty much one sentence to report on all things trying to get published I will do that now.

I have sent my manuscript out to agents again and now I’m editing my second book again.

Now that’s done lets get to it but wait, didn’t I say that this week’s offering would resume on a Tuesday? I lied, the world is full of liars including me.

My musical weekend began on Friday…….

Friday : Into the woods

After walking into the foyer of my local empire cinema I could see that we may have trouble finding 7 seats for the group I was with. It was opening night after all and the last time I saw this cinema that packed was when Les Miserables came out. Just like that experience we were forced to sit near the front.

into woods1

So to the film, well here we see a rather stellar cast, I am talking Meryl Streep, Anna Kendrick, James Corden (Peeps from US will soon know who he is) Johnny Depp ( more of a cameo from him) Emily Blunt, Chris Pine who played the rugged yet charming prince charming and many more. It seemed that nearly every character big or small was a face I had seen before. This gave me much faith in what Disney had to offer.

We were introduced by the way of song to the many central characters and the sort of modified fairy tales in which they belonged. Jack and the beanstalk, Little red riding hood and Cinderella were amongst them.

into woods 2

Meryl Streep and James Corden carried this film which saw him on a scavenger hunt into the woods. I wont give that much away as I feel it is worth watching but to me the final quarter of the film did lack a certain level of story and plot. Which is a shame because the cast all pull together and almost make this an anti Disney film with cliché at every turn. My favourite line of the film came from prince charming “I was raised to be charming not sincere” and he did turn out to be quite the sleaze bag. Seeing him and another prince singing a duet on a waterfall and trying to out prince each other was fun to watch.

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I lol’d at this guy

 

Go see it and tell me your thoughts.

If your still here this is part two of my musical weekend and that was to take my better half into central London to the very art deco Victoria Apollo theatre.

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Saturday : Wicked

As you take your seat there is already a visual spectacle  to take in. The safety curtain is a map of OZ with emerald city glowing in the centre. Around the stage is various ladders, walkways and cogs of the machine that makes Wicked turn. High above a dragon facing the spectators who were ready and restless on this busy Saturday afternoon.   (This dragon did move from time to time)

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Here we see the story of Elphalba (the wicked witch of the west) and how she came to meet herfate.  Again I won’t give anything away and just tell you this show was somewhat awesome.  Many people think that musicals are not for me (maybe because I am so manly, tough exterior etc.) but this show was great. The act 1 close of defying gravity did exactly that and really expressed the powerful vocal skills of the performers. Flying monkeys, munchkins and brilliant stage visuals gave the whole show had a magical element. I would strongly recommend you see it. We were sat in the dress circle looking down on the stage, but where ever you sit is a good view in the Apollo.

 

Final thought 

Some of you may know that for five years I have pursued a career in amateur drama. Having been a member of the Iver Heath Drama Club for that time I can happily announce that I will be the lead in their next show. This January I will be putting the tights on to be Robin Hood, the worlds most famous outlaw! Come and see me, tickets are available to purchase online for a reasonable rate, just click here.

Show your support for a good thing in the community!

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Annabelle: one creepy looking fu**ing doll!

Seeing as the leafs are turning and the darkness of winter is approaching, that means one thing! Halloween and horror movies. We in the UK don’t treat Halloween as big as the US but that doesn’t stop us from getting their movies. So the next few weeks shall be dedicated to all things horror, including an account of my up and coming trip to to UK theme park Alton Towers and their seasonal scare fest!

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The current state of Horror Films

In this age we are exposed to more gruesome and more ‘real’ style horror flicks, Notably the Saw series and of course the many ‘Blair witch’ style found footage films. But for some reason so many films of this genre fail to pack the final punch in their presentation. It gets to the last half hour and there’s nothing more to show, the creature/ghost/murderer/thing has been revealed and the ideas are wearing thin. There are no more shock moments or the shocks are so over the top they seem desperate.

A struggle is apparent in the world of telling scary stories and the cinema is the perfect setting for such things. It’s dark and theres an unavoidable screen in front of you, plus your surrounded by complete strangers. Cinemas can be eerie sometimes, playing into the hands of the genre. But the films themselves do lack in somewhat scary quality. Now I like a good scare, makes the heart beat faster, gives you a cold sweat and all that but these days that’s a rare thing.

Creepy Doll 

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Told ya it was creepy

This past weekend I went to see a new release about a possessed doll. Now many of you will think about that small red haired thing running around with a knife. But I am talking about Anabelle, a doll that comes to be possessed and causes all kinds of hell for the viewer and owner. To me this film simply delivered in all tick boxes available for the genre. It was jumpy, dark, not too gruesome and somewhat original. Creepy is a massive understatement in terms of this doll, they certainly designed this thing well. And they used it well, there are many instances when the camera is focused on the vacant yet transfixed eyes of the doll Annabelle with the viewer expecting them to move at any moment.

We have seen on many occasions an unbalance in a film whereas the killer is way to scary for the film or the concept is just too cool for the environment. But in this film they got it all right, the balance from a small cast worked wonderfully well with scary possessive concepts that coincided with the all-important matter that this could be a true story.

 

If you like your horror good and somewhat original then go and see Annabelle. Especially if you have seen the conjuring, they are kind of related in sideways kind of way.

Having purchased a ticket and being sat in the cinema I had no choice but to be exposed to some up and coming trailers and Halloween is looking good this year, with Ghostbusters being re released and Alien/Aliens in some cinemas.The Pyramid with Jay from the inbetweeners is looking good and that’s what we want to see, some choice in our modern scare films!

 

Next week I look at the potential of another Harry Potter book, stay tuned!