Excerpt of ‘Nowonderland’ by M.C. Gladd

Billy soon ran out of tunnel, er rather hallway, and entered a room about twice the size of the living room in his and his mom’s small house. Purple tiles still lined the floor and wood paneling the walls. There was a lopsided vaguely trapezoidal shaped door on the far side of the room. Two crooked looking sofas and two armchairs of grey leather or horribly patterned fabric lined the walls, all scaled down for people of a rather small stature. He walked nearer to a sofa that had a dotted fabric on it only to realize that the small dots were in fact, insects. The bugs on one of the cushions scrambled out of the way, giving him room to sit down, but not before spelling out ‘sit here please’ in all caps and then crawling off to the side, still in formation, like a marching band halftime show. He didn’t sit down. As he backed away from the sofa, he could have sworn he heard a thousand tiny sighs of disappointment coming from it.

Between each of the chairs and sofas was an end table of some sort, each supporting some of the ugliest lamps Billy had ever seen. The tables themselves had been crafted with all the loving care of a nearsighted carpenter who didn’t own a tape measure, a square, or a level, and had never held a hammer in his life, and who was working with his feet instead of his hands. In the center of the room was a dining table with four mismatched chairs. On the table was a pitcher full of water and four cups, none of which was perfectly round. There wasn’t a single right angle, level surface, or straight line in the whole room.

The water reminded Billy he was thirsty. As he looked closer to the pitcher, he noticed little fish swimming around inside. Weird looking fish that were subject to the same laws of dimension and proportion that affected the rest of the room. As he looked closely at the fish, one of them took notice of him, swam up to the glass and said, “what?” in a voice both too deep for such a tiny fish and muted like you would imagine someone speaking underwater would sound like. He also sounded a bit irritated.

“Nothing,” he replied, backing away. He pulled his backpack off his shoulders and grabbed his own water bottle. He froze before opening it when the door opened and in walked the strangest creature Billy had ever seen. It didn’t see him though, it was staring at the floor as it walked, mumbling to itself. Its mumbles were interspersed with strange whistling and popping sounds.

“Hello,” Billy said, announcing his presence and startling the creature badly.

“Oh my! Oh my,” it said, waving its arms around and jumping back. “You scared me half to death.”

Billy studied the creature while he, (it sounded male Billy decided), calmed himself down. He was about three and a half feet tall and was just as unsymmetrical as everything else in this strange place. He had ten fingers at least, six on one hand, four on the other. One of his lower teeth was a fang that stuck out over his top lip and was so long that when his mouth was closed the tooth in question rested perfectly, deep within his left nostril. This is what caused the whistling sound every time he exhaled with his mouth closed. The popping sound was that same fang overcoming suction every time it left his nostril when he opened his mouth. He had dark curly hair on the right side of his head and straight red hair on the left. His eyes were different in size and color. Every time they fell on Billy, the creature winced and turned away. The clothes he wore were almost normal all things considered, a bright red, button down short sleeve shirt with what looked like yellow two-headed lizards on it and brown slacks with rough looking, different sized, boots on his feet. Billy was pretty sure the lizards were moving around a little.

Presently it said, “(Pop) I assume you came from the…uh…Outside? (whistle)” It met his eyes again and quickly looked away and grimaced, although that may have just been his normal expression.

“What do you mean by Outside?” Billy said, confused. “I came down the tunnel at the end of that hallway he said turning toward the end of the room he had come from. The arch over the hallway opening had a sign above that read “The Gallery” in crooked uneven lettering.

“(Pop) I know that. I live here. You came through the entrance from the Outside,” the creature said, a tad impatient. Like this should be obvious, which Billy supposed it might be in a place like this. “(Pop) They told me when I bought this house that this might happen, (whistle pop) but that it was very unlikely,” he added, more to himself.

“Well, I’m here,” Billy said. “If you could just tell me where here is, I’ll be happy to return to the…uh Outside and get out your house.”

“(Pop) That would be great actually,” the creature answered. (Whistle pop) “You’re quite ugly and hard to look at to be honest. But you can’t go back that way. As I said, it’s an entrance. To go back you need an exit.” Again, his tone was that of a parent explaining something obvious to a particularly dense child.

“What do mean I’m ugly?” Billy said. “And why can’t I leave through the way I came in? It’s a tunnel, isn’t it?”

“(Pop) Sorry. I didn’t mean to be rude, but your face is rather…. symmetrical.” At this, he shuddered as though the thought repulsed him immensely. “And as I said, it’s an entrance, not a tunnel. One is one-way and the other is not. Is that not how things work in the Outside? Go look for yourself if you don’t believe me. (whistle)”

This is an exclusive excerpt of ‘Nowonderland’ by M.C. Gladd which you can find here. More information about the author can be found via Twitter , Facebook and his website.

Guest Post: ‘The Story Behind The Story’ by Micah Kolding

Author Micah Kolding shares his story which led to his first published children’s book.

It starts with my community theater work. My voice qualifies as “true bass”, which is rare enough to be in high demand among local musical productions. I therefore find something of a niche as “the guy with the deep voice”.

Something I realized over the course of my theater experience is that the kids tend to find it fascinating that I’m part of the cast by choice. There are occasions when I’m the only straight guy who isn’t one of their dads, and they gravitate to me to talk about things they probably don’t feel like they can talk about with the rest of the cast. They ask if I like geckos, they want to discuss Star Wars, they need to recount how they got in trouble at school… a lot of topics that are, on some level, too “boyish” for much of the musical theater environment. And it’s very often the girls who most need to talk about this.

I’ll always remember one girl in particular; a true tomboy, she once showed up before a show in a pink dress and revealed that she was only wearing it because she lost a bet. When much of the cast reassured her of how pretty she looked, she shouted, “I’m going to sit with Micah, because he won’t judge me!” She did, and I told her she looked like “a pink nightmare”. She said “Thank you!”, and we fist-bumped.

My takeaway from this experience is just how little people understand tomboys. More girls than we realize are not buying into the culture of constant sensitivity and validation; they want to be challenged, they want to compete, and they want to be “one of the guys” without having adults ask if they’re pre-op. You look at how tomboys are depicted in most stories, you see hostile weirdos who are content to be the one sporty friend in a cast of near-identical bratz-dolls, and I wanted to write something that rang truer.

The plot of “The Fellas, the Mermaid, and Me!” came to me while I was serving as Lurch in the Addams Family musical. It’s a story about a mermaid named Kris who hangs out with five human friends, all of which are boys. I remember realizing how perfect it was to depict a composite of every tomboy I knew as a gritty, gap-toothed mermaid; people expect mermaids to be quintessentially girly, but they’re ultimately an apex-predator sea creature, making them necessarily a sporty, adventurous, competitive friend.

Indeed, when I first sent out the story to beta-readers, I got a few comments opining that Kris shouldn’t be the only girl in the group. It was enough that I actually ran the idea past my wife; “Should I change one of the boys to be a girl?” Speaking from quite a bit of experience herself, her reaction was an insistent “NO! She’s a TOMBOY! She doesn’t hang out with GIRLS!” So “The Fellas, the Mermaid, and Me!” went to self-publication as-is.

You can find author Micah Kolding on Twitter and his books via Amazon