We all know that stories have a beginning, a middle and an end. They are a constant much like all of us have a brain, a heart and an imagination, mostly. It is my belief that a story teller can turn their hand to any genre, the work itself doesn’t change physically, just the subject.
Many will argue that genre is more of a constant in their story telling efforts and I applaud that. They’ve found a home, a comfort and place to hone their ability, while others like to move around more, they prefer to drift from place to place. People find stability and home in different places, and stability is probably the most underrated thing artists need to work – some level of calm in all this chaos.
To paraphrase Stanley Kubrick, he said that all movies need two or three ‘big moments’ that make the jaws of the audience drop. I’m talking twists, turns, revelations; all of the good stuff that makes moments in cinema and story.
I tend to aim for these moments when linking my story together although you can only really have a few of these per story. The shock factor is only good for a couple of times max. The audience are human after all. It’s much like yelling an expletive at someone over and over again, eventually the recipient is numbed to it and you’re better off complimenting them. When this type of moment unfolds in a story, things are never normally the same from then on. Examples come from my own work ‘Darke Blood’ which has a sequence of big reveals later on. It’s a make or break situation sometimes and the audience do not like their intelligence insulted but more their ego slightly massaged.
Writers can factor these moments in whatever genre your story is. Again we go back to the beginning, the middle and the end. From Aliens invading to the YA love triangle, as long as you have the constants and the ‘moments’ it is my belief any story teller can grasp any type of genre.
Can you turn your hand to any genre?