Indie Book Sequels: Are they worth it?

The title of this post presents itself as a question I have tried to find an answer to from experience. There are still many pros and cons to it floating around in my head; so in my divine wisdom I have decided to explore this question via a blog post and because my experience from releasing an indie book sequel wasn’t the best…

Background

When I write a story my mind is forever in expansion mode. I am always looking for an opportunity to tell a back story or plant something for later on; this even goes as far as planting stuff for books later on in a series. This may sound visionary and I suppose it is BUT it’s also a curse because while I’m standing over in book three, people haven’t even picked up book one yet! – that’s not a unique problem in indie publishing, our biggest challenge is product distribution…

I very much enjoy the thinking ‘fourth dimensionally’ writing style in fact there isn’t a better satisfaction in writing than seeing a long term plan pull together and that’s what I like to do. But to evolve or even edit the title of this post let me ask this:

Are indies just better off writing stand alone stories? 

Beginners luck

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I present the question above with an intention to answer it with logic as opposed to experience because if we look at it on simple terms, and this doesn’t just extend to indies but books in general, who is going to buy book 3 of a series if nobody really read or knows about 1 and 2…

My writing faced that answer very early on and in 2016 I was set to release my first book ‘Open Evening’ which is now part of the wider ‘Order of the Following’ series (this is the first time I have named that series publicly, consider it an exclusive, thank me in the comments). Due to my writing style the latter stages of Open Evening was set up and left open (no pun intended) so that a sequel could be explored some time in the near future.

The expectation I had in selling this book wasn’t particularly high but it did relatively well and shifted a bunch of paperbacks, did the rounds on social media and in all left me felling pretty darn good. There wasn’t any profits but I had made my official arrival as an author known.

Move on to the next one

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After finishing a book; the best thing an author can do, if they really are an author is to move on and write something else. Enter my vampire caper ‘Darke Blood’ which before Open Evening found it’s final edit became linked to this book by way of some (clever) back story.

So to put this into context, these books are separate but sit in the same universe; so it’s Iron Man and Captain America. If you read both you will see where they are linked, it’s fairly obvious.

Listen to the heart

Unfortunately this is where my thinking fourth dimensionally curse struck. I really wanted to do an Open Evening sequel, there was more story to tell and explain, there was even opportunity to link back to Darke Blood. So I did it, and ‘Cemetery House’ was born.

I knew from the offset that my readership would in fact be very limited, but I did that thing where the urge to tell a story took over everything else, and now I still don’t regret that decision.

It kicked my ass

By the time I had finally got ‘Cemetery House’ released in late October of last year (2018) I was facing being ‘done’ with writing, possibly forever. It hit me that hard. Not the writing process, not the editing process, or even Amazon being fail because their stupid KDP software didn’t like the format of the book for ages so didn’t accept it. All of it hit me hard, to a point where I pretty much faced a level of depression I have never seen or experienced ever.

This sequel ended up being a bad day that just got worse. And so then came the icing of the three tiered cake of shit; pretty much nobody bought the damn thing…

cem house

Facing reality

There are a huge amount of factors as to why ‘Cemetery House’ went the way it did. Mostly because I put my expectation on a pedestal and didn’t accept reality where Open Evening had only been out 2 years when the sequel arrived. My following was nowhere near the amount I have now. The promotional efforts, well they were okay actually but without the following, well there’s the problem.

It hurt. Big time, and I probably did it to myself more than anything. 2018 was a huge year for me. I released The Teleporter half a year previous to ‘CH’ and only now is it getting any type of traction.

This stuff takes time. It takes thought and above all it takes a suit of armour to protect yourself sometimes from yourself. Most of this stuff is on your head. I have always said as an author success is in the eye of the beholder.

But the beauty of this is simple, I can happily talk about it and accept it for what it is. I have 4 books published. I did that in 2 years. Cemetery House has 0 reviews and not a lot of sales but it stands shoulder to shoulder with 3 other books that make up the 4. And they are mine

The drive home

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There was an album I listened to religiously while creating ‘Cemetery House’. In fact its by one of my favorite bands. For near enough half a year after publication of that book I couldn’t face listening to any of those great songs. That was until last night, when I took in the whole album at level 18 volume.

The conclusion I have is simple. If you have more story to tell and your heart is telling you to write it, then write it. We do this because above all it makes us feel something in this rather cold world. We’ve all had bad reviews and good reviews. Sales and no sales. Just do what you wanna do to feel happy in writing and fu** everything else.

Thanks for reading my story about my stories and a little insight to how I got here. It means a bunch to have your support, have you got any sequel gripes? Let me know in the comments. 

dfw-lh-3dx2

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